{"id":30,"date":"2020-12-30T18:42:07","date_gmt":"2020-12-30T18:42:07","guid":{"rendered":"https:\/\/evelyn-kuwertz.berlin\/fr\/?page_id=30"},"modified":"2021-03-04T11:13:31","modified_gmt":"2021-03-04T11:13:31","slug":"berlin-divise","status":"publish","type":"page","link":"https:\/\/evelyn-kuwertz.berlin\/fr\/berlin-divise\/","title":{"rendered":"Berlin Divis\u00e9"},"content":{"rendered":"
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Berlin Divis\u00e9 1979-1989<\/span><\/h2>\n<\/div>\n<\/div>\n<\/div>\n
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Evelyn Kuwertz a grandi \u00e0 Berlin dans la r\u00e9riode d\u2018apr\u00e8s-guerre et elle a v\u00e9cu l\u2018\u00e9poque des ruines et de la reconstruction ainsi que la construction du mur. Peut-\u00eatre est-ce inconsciemment qu\u2018elle s\u2018est depuis attach\u00e9e au caract\u00e8re significatif, \u00e0 la valeur symbolique d\u2018endroits concrets. Elle consid\u00e8re sa ville avec un regard engag\u00e9.<\/i>

INGEBORG RUTHE, critique d\u2018art, Berliner Zeitung<\/div>\n<\/div>\n<\/div>\n
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1979 la ville BERLIN-OUEST sera le th\u00e9me permanent: J\u2018ai d\u00e9couvert un sujet typique de la grande ville le U-et S-Metro. Ils d\u00e9montrent la situation politique et sociale de la ville divis\u00e9e. On sent les gens inquiets et enferm\u00e9s mais dans cette atmosph\u00e8re il y a un bouillonnement d\u2018id\u00e9es non-conventionelles.
Les grandes gares Hallesches Tor, Kottbusser Tor et Gleisdreieck pr\u00e9sentent la vie urbaine des ann\u00e9es 80. \u00c0 l\u2018inverse dans les gares S-Bahnh\u00f6fen Sch\u00f6neberg et Friedrichstra\u00dfe les gens seront non personalis\u00e9s et beaucoup plus rares. Elles etaient les centres de la circulation de la metropole maintenant elles somnolent. On sent la division de la ville.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\r\n\t\t\t\t\r\n\t\t\t\t\t\"Station\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tStation Gleisdreieck 1979<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t90\/150 cm, acrylique, huiel \/ toile<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\r\n\t\t\t\t\t\"Station\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tStation Friedrichstrasse 1980<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t80\/120 cm, acrylique \/ papier B\u00fctten<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\r\n\t\t\t\t\t\"Autoportrait\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tAutoportrait Station Kottbusser Tor 1982<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t100\/200 cm, craies, aquarelle \/ toile<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\r\n\t\t\t\t\t\"Station\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tStation Kottbusser Tor 1983<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t140\/70 cm, acrylique, huile \/ toile<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\r\n\t\t\t\t\t\"Balade\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tBalade en S-Bahn 1983<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t90\/130cm, tempera, huile \/ toile<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\r\n\t\t\t\t\t\"Bunker\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tBunker Nucl\u00e9aire 1983<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t100\/70 cm, acrylique, huile \/ toile<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\r\n\t\t\t\t\t\"Bunker\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tBunker Nucl\u00e9aire - Kudammkarree Berlin\u00a01984<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t100\/140 cm, tempera, huile 7 toile<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\r\n\t\t\t\t\t\"Bunker\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tBunker Nucl\u00e9aire 1984<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t100\/130cm, tempera, huile \/ toile<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\r\n\t\t\t\t\t\"Station\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tStation Hallesches Tor 1983<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t80\/120 cm, aquarelle \/ papier B\u00fctten<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\r\n\t\t\t\t\t\"Station\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tStation Hallesches Tor 1983<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t80\/100 cm, aquarelle, tempera \/ papier<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\r\n\t\t\t\t\t\"Station\r\n\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tStation Vienne 1986<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t100\/200cm, Aquarell, Gouache \/ Papier<\/span>\r\n\t\t\t\t\t\t \t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\r\n\t<\/div>\n<\/div>\n<\/div>\n
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C'est aussi Berlin: cool et observ\u00e9 de pr\u00e8s, compos\u00e9 avec pr\u00e9cision, li\u00e9 \u00e0 la sc\u00e8ne m\u00e9lancolique \u00e0 Manhattan d'Edward Hopper. L'expressivit\u00e9 d'Evelyn Kuwertz, \u00e0 l'instar de l'Am\u00e9ricaine, se dispense d'une tendance frappante. Ses images parlent d'elles-m\u00eames - obs\u00e9dantes, mais discr\u00e8tes dans un langage discret qui ne cache pourtant rien, surtout pas le tragique d'une ville divis\u00e9e: par ex. Fin de la ligne \u00e0 Friedrichstrasse.<\/i>

Berliner Morgenpost, 13.11.2008<\/div>\n<\/div>\n<\/div>\n
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<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Berlin Divis\u00e9 1979-1989 Evelyn Kuwertz a grandi \u00e0 Berlin dans la r\u00e9riode d\u2018apr\u00e8s-guerre et elle a v\u00e9cu l\u2018\u00e9poque des ruines et de la reconstruction ainsi que la construction du mur. Peut-\u00eatre est-ce inconsciemment qu\u2018elle s\u2018est depuis attach\u00e9e au caract\u00e8re significatif, \u00e0 la valeur symbolique d\u2018endroits concrets. Elle consid\u00e8re sa ville avec un regard engag\u00e9. INGEBORG… Weiterlesen »Berlin Divis\u00e9<\/span><\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":""},"_links":{"self":[{"href":"https:\/\/evelyn-kuwertz.berlin\/fr\/wp-json\/wp\/v2\/pages\/30"}],"collection":[{"href":"https:\/\/evelyn-kuwertz.berlin\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/evelyn-kuwertz.berlin\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/evelyn-kuwertz.berlin\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/evelyn-kuwertz.berlin\/fr\/wp-json\/wp\/v2\/comments?post=30"}],"version-history":[{"count":42,"href":"https:\/\/evelyn-kuwertz.berlin\/fr\/wp-json\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":699,"href":"https:\/\/evelyn-kuwertz.berlin\/fr\/wp-json\/wp\/v2\/pages\/30\/revisions\/699"}],"wp:attachment":[{"href":"https:\/\/evelyn-kuwertz.berlin\/fr\/wp-json\/wp\/v2\/media?parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}