{"id":34,"date":"2020-12-30T18:42:07","date_gmt":"2020-12-30T18:42:07","guid":{"rendered":"https:\/\/evelyn-kuwertz.berlin\/en\/?page_id=34"},"modified":"2021-03-04T11:08:19","modified_gmt":"2021-03-04T11:08:19","slug":"works","status":"publish","type":"page","link":"https:\/\/evelyn-kuwertz.berlin\/en\/works\/","title":{"rendered":"Works"},"content":{"rendered":"
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

Works<\/span><\/h2>\n

The most preferred topic of EVELYN KUWERTZ figurativ paintings is the CITYSPACES – and IMAGES of MAN. Her pictures revolve around human existence in an urban environment. The BERLIN CITYSCAPES become exemplary subjects, which she transforms into metaphors of time and the ephemeral. Stylistically, it can be assigned to free figuration and realism. The Berlin cityscapes were created over a period of 20 years and show the changing face of the city.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

Paintings and Drawings<\/h3>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n
\n

Berlin<\/h3>\n

Tube Hallesches Tor 1983, 80\/120 cm, aquarell \/ paper<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\"Railway<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

Helgoland<\/h3>\n

Helgoland 1984, 80\/120 cm, charcoal drawing \/ paper<\/p>\n<\/div>\n<\/div>\n

\n
\"Seascape<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

Mouvement<\/h3>\n

Mouvement cities 1987, 150\/200 cm, tempera, oil \/ canvas<\/p>\n<\/div>\n<\/div>\n

\n
\"Mouvement<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

Berlin after reunification 1989 – 99<\/h3>\n

Esplanade, Potsdamer Platz 1993, 80\/120 cm, tempera \/ paper B\u00fctten<\/p>\n<\/div>\n<\/div>\n

\n
\"Esplanade<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

Potsdam 1997<\/h3>\n

Potsdam 1997, 80\/120 cm, acryl \/ paper B\u00fctten<\/p>\n<\/div>\n<\/div>\n

\n
\"Potsdam<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n
\n
\n

Paintings and Drawings Themes 2000<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

Landscapes<\/h3>\n

M\u00e9ditation Matinale 02.01.2018, 20\/20 cm, oil \/ canvas<\/p>\n<\/div>\n<\/div>\n

\n
\"1)<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

European cities<\/h3>\n

Toulouse 2002, 80\/80 cm, tempera, oil \/ canvas<\/p>\n<\/div>\n<\/div>\n

\n
\"2)<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

R\u00e9p\u00e9tition<\/h3>\n

R\u00e9p\u00e9tition 2005 -Sacre du printemps- ballet de l\u2018opera Toulouse, 40\/60 cm, screen printing, acryl \/ paper<\/p>\n<\/div>\n<\/div>\n

\n
\"3)R\u00e9p\u00e9tition\"<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

Mouvement<\/h3>\n

Mouvement 2009 | 70 \/ 100cm, acryl \/ paper<\/p>\n<\/div>\n<\/div>\n

\n
\"4)<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

Portrait 2011<\/h3>\n

Portrait 2019, 45\/35 cm, acryl, oil \/ canvas<\/p>\n<\/div>\n<\/div>\n

\n
\"5)Portr\u00e4t\"<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

I would like to refer to the website www.evelynkuwertz.eu<\/a>, which shows an overview of my work since 2000 until today.<\/em>\u00a0My interest in the city continues in pictures about European cities.<\/em>\u00a0The representation of people in motion is expanded and the subject of portrait in is linked again.<\/em>\u00a0Inspired by stays in the south-west of France, nature observation EN found its way into my oeuvre.<\/em><\/p>\n

www.evelynkuwertz.eu<\/a><\/strong><\/em><\/h3>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Works The most preferred topic of EVELYN KUWERTZ figurativ paintings is the CITYSPACES – and IMAGES of MAN. Her pictures revolve around human existence in an urban environment. The BERLIN CITYSCAPES become exemplary subjects, which she transforms into metaphors of time and the ephemeral. Stylistically, it can be assigned to free figuration and realism. The… Weiterlesen »Works<\/span><\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":""},"_links":{"self":[{"href":"https:\/\/evelyn-kuwertz.berlin\/en\/wp-json\/wp\/v2\/pages\/34"}],"collection":[{"href":"https:\/\/evelyn-kuwertz.berlin\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/evelyn-kuwertz.berlin\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/evelyn-kuwertz.berlin\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/evelyn-kuwertz.berlin\/en\/wp-json\/wp\/v2\/comments?post=34"}],"version-history":[{"count":16,"href":"https:\/\/evelyn-kuwertz.berlin\/en\/wp-json\/wp\/v2\/pages\/34\/revisions"}],"predecessor-version":[{"id":686,"href":"https:\/\/evelyn-kuwertz.berlin\/en\/wp-json\/wp\/v2\/pages\/34\/revisions\/686"}],"wp:attachment":[{"href":"https:\/\/evelyn-kuwertz.berlin\/en\/wp-json\/wp\/v2\/media?parent=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}